Based in the U.S., Hong Kong composer Chin-ting Chan (b. 1986) has been a fellow and guest composer at festivals such as IRCAM’s ManiFeste, the ISCM World Music Days Festival, the UNESCO International Rostrum of Composers, and the Wellesley Composers Conference. He has worked with ensembles such as the City Chamber Orchestra of Hong Kong, Ensemble intercontemporain, ensemble mise-en, Ensemble Signal, Eighth Blackbird, and the Mivos Quartet, with performances in more than twenty countries. Awards and commissions include those from the American Prize, ASCAP, Association for the Promotion of New Music, the Charlotte Street Foundation, the Foundation for Modern Music, the Hong Kong Composers’ Guild, the MidAmerican Center for Contemporary Music, the Interdisciplinary Festival for Music and Sound Art – Shut Up and Listen!, the Lin Yao Ji Music Foundation of China, the Music Teachers National Association, newEar, the New-Music Consortium, the Soli fan tutti Composition Prize, the Virginia Center for the Creative Arts, and others. His works are published with the ABLAZE Records, Darling’s Acoustical Delight, Music from SEAMUS, Navona Records/PARMA Recordings, RMN Classical, the SCI Journal of Music Scores, and Unfolding Music Publishing (ASCAP). He is currently Assistant Professor of Music Composition at Ball State University. He holds a D.M.A. degree from the University of Missouri–Kansas City, as well as degrees from Bowling Green State University and San José State University.